Birmingham Royal Ballet: The Nutcracker
Momoko Hirata and Mathias Digman lit up the stage in the grand pas de deux. ‘Polished’ does not do them justice. Hirata sparkled like a cut diamond
Momoko Hirata and Mathias Digman lit up the stage in the grand pas de deux. ‘Polished’ does not do them justice. Hirata sparkled like a cut diamond
I don’t recall a Birmingham ballet evening like it. An evening of surprises. A real celebration of the band and its music. And of dance.
“The worst thing is regret. And it’s an opportunity I can’t ignore. I don’t want to be wondering, ‘What if?’”
A fine evening with plenty of variety; and one not dominated by nineteenth-century fireworks.
An evening that oozed warmth. Of the ten ballets and excerpts presented in this birthday celebration, Acosta appears in five.
A fine evening and a fine initiative that deserves to succeed. Yet more evidence of the excellent work Carlos Acosta is doing in Birmingham
A huge welcome back for Apollo, remarkably now only five years from the hundredth anniversary of its creation
Who would be a judge? The dancers certainly gave the panel a difficult task. But when the results came in, it was the year of the men
An exciting group of young professionals in a pot pourri of gala favourites spiced up with new and less well-known works
The Royal Ballet tops the short-list with 14 nominations. English National Ballet and Rambert have seven, and Birmingham Royal Ballet five.
A fine telling of the tale of love, betrayal and loss. An evening full of power and tenderness. Classical ballet at its classical best