Heinz-Bosl-Stiftung Spring Matinée in Munich
Twice annually, the matinées are very popular. They present the Bayerisches Junior Ballet and Ballett-Akademie der Hochschule für Musik und Theater
Twice annually, the matinées are very popular. They present the Bayerisches Junior Ballet and Ballett-Akademie der Hochschule für Musik und Theater
Somewhat more classical than previous years, the standard of dancing was sans pareil. Just what the doctor ordered.
Carlos Acosta’s sunny ballet provides “a lot of joy and a much-needed splash of sunshine on yet another grey, damp, dismal February day.”
A concert that mixed dance and music, the latter a little more to the fore… a largely successful and enjoyable programme.
Iain Mackay may have only recently become artistic director of the Royal Ballet School but, undaunted, has already upped the game by a large margin
While the seventh edition of Ballet Nights may have had the suffix ‘007,’ it fell short on James Bond-style thrills.
A terrific evening. It was also one that probably contained more chances to see fouttées than most in the audience get in a year. No one disappointed.
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”
A pleasing, traditional Swan Lake, but one that lacks characterisation and struggles for ‘wow’ factor.
Top quality dancing… But perhaps best of all, everything was very classically rooted, with pointework very much to the fore for the women.
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner