Think you know these classic ballets well? Think again.
“A page-turningly good read” as “Fullington and Smith… invite the general and specialist reader alike to rethink nineteenth-century ballet.”
“A page-turningly good read” as “Fullington and Smith… invite the general and specialist reader alike to rethink nineteenth-century ballet.”
The happy grins and overheard comments during the interval told you all you needed to know. Mary Skeaping’s Giselle is wonderful, a real gem.
When the assured Riho Sakamoto first stepped out of her home as Giselle, she didn’t so much skip round the stage as fly.
Ahead of their debuts as Akram Khan’s Giselle, ENB’s Francesca Velicu and Ivana Bueno spoke to Maggie Foyer about getting into the role.
Erina Takahashi brought to her rendition of Giselle, a delicacy, intimacy, and freshness… searing dramatisation of the doomed woman
This performance of Patrice Bart’s Giselle was special in that it saw Ksenia Ovsyanick dance the lead role for the last time
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
There are shows, and there are events… Royal Ballet principal Marianela Nuñez’ debut with the Paris Opera Ballet was an event with a capital ‘E’
The 2024-25 season also includes a new work by William Forysythe as part of a Forsythe evening, and both the company’s Giselles.
In the first of an occasional new series, Alina Cojocaru chooses seven works that have particular significance for her, saying a few words about each.
Danced to piano and string compositions by Valentin Silvestrov, and traditional folk music, it’s a picture of the people behind the headlines