Giselle: a most honest romance
Nuñez’s Giselle looks unusually light within this world. Her peasant dancing is clean and loose, its ease producing flow rather than force
Nuñez’s Giselle looks unusually light within this world. Her peasant dancing is clean and loose, its ease producing flow rather than force
Even the afterlife offers no freedom, only a different choreography of obedience. In this Giselle, death is not release. It is relocation.
The ballet adheres to the traditional, leaving the surprises and delight in the quality of performance from the dancers.
Erina Takahashi remains a dancer and actor par excellence. There were excellent performances all round in Taipei, but it was very much her evening.
World premieres by Wayne McGregor, Cathy Marston, Akram Khan, León-Lightfoot, and a first Royal Ballet presentation by NYCB’s Justin Peck
The company are set to perform works by Martha Graham and Crystal Pite, a new ballet by Kameron N. Saunders, and some old favourites
Ballet workshops for adults seem to have fallen by the wayside rather in England. But at the Bayerisches Staatsballett in Munich they are going strong. On a Saturday evening in February, Jeannette Andersen joined one such. Half-an-hour before the workshop began, the 18 participants, one man and 17 women of various ages, slowly trickled into … Read more
“A page-turningly good read” as “Fullington and Smith… invite the general and specialist reader alike to rethink nineteenth-century ballet.”
The happy grins and overheard comments during the interval told you all you needed to know. Mary Skeaping’s Giselle is wonderful, a real gem.
When the assured Riho Sakamoto first stepped out of her home as Giselle, she didn’t so much skip round the stage as fly.
Ahead of their debuts as Akram Khan’s Giselle, ENB’s Francesca Velicu and Ivana Bueno spoke to Maggie Foyer about getting into the role.