Birmingham Royal Ballet: 20th-Century Masterpieces
Closing the evening, Balanchine’s uplifting Theme and Variations looked in fine shape… a celebration of Russian classicism
Closing the evening, Balanchine’s uplifting Theme and Variations looked in fine shape… a celebration of Russian classicism
An evening filled with heart, of classical excerpts and The Green Table. Carlos Acosta spoke warmly of Sir Peter, a man who did not just make ballets, but built worlds.
Carlos Acosta’s sunny ballet provides “a lot of joy and a much-needed splash of sunshine on yet another grey, damp, dismal February day.”
It’s a gathering. At times, it has the joy of a ceilidh, but it also has a dark, mysterious edge, and is often quite disconcerting.
A ballet that wraps young and old alike in a warm, familiar fantasy, it’s a chance to snuggle down and forget the world outside for a couple of hours.
The two-act, full-length work impressed greatly at its premiere back in February but on the much larger Hippodrome stage it looked even better
For sheer athleticism, expression and the multiple techniques of the dancers, all on show in Cuban Eclectico, they are hard to beat.
The return of Black Sabbath – The Ballet and Don Quixote, and of The Green Table in a fabulous triple bill, plus a gala for Sir Peter Wright
Undoubtedly the best production of the ballet in this country by some distance, it’s once again casting its spell over audiences
A ballet of fine intentions. A ballet of plenty of fine moments that, at times, is quite powerful. But also one in need of stronger thread to hold it together
David Mead talks to Wubkje Kuindersma and Seeta Patel, two of the five female choreographers for BRB’s new ‘Luna’