vildwerk.: conservation meets dance
A marriage between dance, conservation and wildlife experts. “The dance…was largely very pleasing… The dancing right out of the top drawer.”
A marriage between dance, conservation and wildlife experts. “The dance…was largely very pleasing… The dancing right out of the top drawer.”
World premieres by Gemma Bond and Kyle Abraham, whose complex and unpedictable Mercurial Son “has lots to see and lots to like”
Everywhere We Go is a ballet that’s never forgets its classical roots, but ballet that’s also very ‘of today.’ The sort of ballet that makes you want to return.
Tiler Peck’s Concerto for Two Pianos is an absolute delight. The intelligently structured choreography is as highly-skilled as the dancing
Concerto DSCH… is a perfect closing number. A quite delicious, sensual central pas de deux is bookended by jaunty, fun and upbeat movements.
An often brutal, yet strangely often beautiful in its way, commentary on childhood experiences and feelings; on the youth of today as they struggle
Many of the seven pieces were deeply thoughtful and somewhat dark in tone; a reflection of the times and recent experiences, no doubt
A varied triple bill of works by Yin Yue, Barkha Patel and eddy kwon that all combine the contemporary with the traditional
Every bit as shocking and relevant today as it was in 1932 when first performed during Hitler’s rise to power
So neatly does the tap and piano combine that you feel some sort of sixth sense must be at play. Piano and tap, classical and jazz. Magic.
Jessica Lang’s ballet combines childlike innocence and playfulness with striking elegance. The choreography fits Chick Corea’s music like a glove.