New York City Ballet: Balanchine/Ratmansky
Concerto DSCH… is a perfect closing number. A quite delicious, sensual central pas de deux is bookended by jaunty, fun and upbeat movements.
Concerto DSCH… is a perfect closing number. A quite delicious, sensual central pas de deux is bookended by jaunty, fun and upbeat movements.
An often brutal, yet strangely often beautiful in its way, commentary on childhood experiences and feelings; on the youth of today as they struggle
Many of the seven pieces were deeply thoughtful and somewhat dark in tone; a reflection of the times and recent experiences, no doubt
A varied triple bill of works by Yin Yue, Barkha Patel and eddy kwon that all combine the contemporary with the traditional
Every bit as shocking and relevant today as it was in 1932 when first performed during Hitler’s rise to power
So neatly does the tap and piano combine that you feel some sort of sixth sense must be at play. Piano and tap, classical and jazz. Magic.
Jessica Lang’s ballet combines childlike innocence and playfulness with striking elegance. The choreography fits Chick Corea’s music like a glove.
AAPI Dance and Choreographers ShowcaseOnline, part of the Imagine Dance Festival 2022, presented by the Dance Managers’ CollectiveJanuary 13, 2022 That there has been a lack of representation of Asian American dance work historically is undeniable. To help raise the profile of artists, the Asian American Arts Alliance, Final Bow for YellowFace/Gold Standard Arts Foundation … Read more
The ninety minutes glided by. Perfectly understated, the evening felt more like a meeting of friends than a theatrical performance
A series of duets and solos bookended by ensemble sections draw you in as they flow together effortlessly in a totally captivating performance
Larsen doesn’t sprinkle her story with sugar or fairy dust. This is ballet as it is; as it really is. I’m not sure I’ve read another book about dance like it.