English National Ballet: Rhythm Riot
English National Ballet are back on form with Rhythm Riot, a cracking triple bill comprising no less than two world premieres
English National Ballet are back on form with Rhythm Riot, a cracking triple bill comprising no less than two world premieres
A conversation with Micaela Taylor about her work and her new ballet, ‘Bow Out’, part of English National Ballet’s forthcoming Rhythm Riot programme
This Sleeping Beauty is not flawless. But the production’s strengths are considerable: the splendour of its costumes, the sweep of the music, the scale of the occasion, and above all Emma Hawes’ luminous Aurora.
As they celebrate their 40th anniversary, Scottish Dance Theatre won Best Mid-Scale Company, while Scottish Ballet’s Mary, Queen of Scots picked up two awards
Once again, The Royal Ballet has most nominations with 14 on the short-list. English National Ballet and London City Ballet have four…
Pite’s Body and Soul (Part 1) demonstrates all the depth and subtlety which we have come to expect from this most exciting of choreographers
Even the afterlife offers no freedom, only a different choreography of obedience. In this Giselle, death is not release. It is relocation.
It does look absolutely terrific. It brims with colour and life at every turn. There’s a light touch to the story and dance… Easy on the eye couple of hours.
David Dawson’s Four Last Songs: sleek, extremely physical and emotional… Poetry in motion, it is utterly, utterly gorgeous.
Best Male Dancer jointly awarded to Tommy Franzén (hip hop) and Aakash Odedra (kathak), with both also winning performance awards.
Nemesis is a real juicy nugget of a work, one that makes you want to see more of Ihsan Rustem’s choreography and Ballett Augsburg.