Impulstanz: Rush(es) by Alexandra Bachzetsis
“She sits astride a large black trunk, dressed in dark khaki waders and a tight-fitting black unitard. And a long red wig…”
“She sits astride a large black trunk, dressed in dark khaki waders and a tight-fitting black unitard. And a long red wig…”
Kuik Swee Boon’s work “explores community and the possibility of oneness. Before inviting anyone into a shared experience, it draws a boundary.”
From an almost bleak start, the work increasingly gains a drive, sense of freedom, joy and lust for life that totally captures the viewer.
Ballet Black brought its 25th anniversary double-bill to the very English summer setting, plus a short appearance from M22 Collective.
The formal beauty, purity and technical virtuosity of Balanchine, and the constant state of flux and harmonious chaos of Christian Spuck’s new creation
In new works by Hofesh Shechter and Aszure Barton, the company’s dancers were fabulous and mesmerising, and sucked us into two strange worlds almost devoid of references to reality, but full of emotion
The first of four chapters over which a total of twenty artists will spend five days with Siobhan Davies’ 1977 work Sphinx, and craft their own responses
At the centre was Amelie French as Anne Shirley. Hers was a performance of remarkable grace, warmth and dramatic presence… She understood how to make movement speak
Ahoi is built around the concept of being on a cruise and takes the audience on an immersive journey aboard a luxury liner of the 1930s
Still Pointless emphasises the ensemble. The one exception to that is exceptional and turns out to be the highlight of the show. Christopher Wheeldon’s Us…
The highlight of the evening was All Long Dem Day from Marco Goecke by students from the Cranko School… The dancers were magnificent giving their all in a fully professional showing.