The Margot Fonteyn International Ballet Competition
The standard of dancing was superb, the gold medal being taken by Antonia Maria Cramb, currently training at Royal Conservatoire of Scotland
The standard of dancing was superb, the gold medal being taken by Antonia Maria Cramb, currently training at Royal Conservatoire of Scotland
The third year’s classical work was Les Patineurs (1937), and then Pina Bausch’s Tannhăuser Bacchanal (1972), a fascinating piece of dance history
David Dawson’s Metamorphosis 1… as hypnotic as the music, following it in building in intensity and complexity.
An exciting evening for the English National Ballet School… back on track as a quality professional ballet school after a couple of difficult years.
Andrew McNicol is a choreographer who clearly understands… the music he is using. He obviously also very much believes in classical ballet
In Frederick Ashton’s Rhapsody, Rin Ishikawa’s speed, focus and attack were phenomenal.
An evening of goodwill and youthful enthusiasm bringing together six of Britain’s top dance schools to show support for Ukraine
Four contemporary ballet world premieres, all classically-rooted and inspired by music, but also modern-feeling and of today
The new Awakenings programme features four works by McNicol himself, all inspired by music, among them a brand-new, reimagined version of Firebird.
A very diverse and challenging programme including Frederick Ashton’s Les Rendezvous
Filmed by Michael Nunn and William Trevitt and The Roundhouse