Ballet Black at The Grange Festival
Ballet Black brought its 25th anniversary double-bill to the very English summer setting, plus a short appearance from M22 Collective.
Ballet Black brought its 25th anniversary double-bill to the very English summer setting, plus a short appearance from M22 Collective.
As Ballet Black marks 25 years of pushing at barriers and making innovative new work, David Mead talks to founder and artistic director, Cassa Pancho
Two works that, in different ways, speak about hope and togetherness that unfold as a conversation about what hope might mean, and what it takes for people to stand together.
Ballet Black have had a difficult year having to relocate to West London. It doesn’t show in performance, however.
The festival’s dance evening this year saw the return of Ballet Black in a double-bill of If At First and A Shadow Work, plus Jacob Wye’s Perennial
Best Male Dancer jointly awarded to Tommy Franzén (hip hop) and Aakash Odedra (kathak), with both also winning performance awards.
The Royal Ballet tops the shortlists with eleven nominations, followed by seven for English National Ballet
Laplane whose Click was such a delight, returns with a new creation, If At First, that explores heroism, a noble quality and worthy of investigation
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
Ahead of the premieres of his new works for Ballett Zürich and The Royal Ballet, Maggie Foyer looks at the work of the South African choreographer.
Isabela Coracy, as Nina Simone, dressed in a gown of African print holds centre stage playing the dynamics with commanding presence