English National Ballet in R:Evolution
David Dawson’s Four Last Songs: sleek, extremely physical and emotional… Poetry in motion, it is utterly, utterly gorgeous.
David Dawson’s Four Last Songs: sleek, extremely physical and emotional… Poetry in motion, it is utterly, utterly gorgeous.
A pleasing, if unexciting evening. While nicely danced, it would be fair to say that none of the three ballets are out of Balanchine’s top drawer.
Square Dance, bright and playful; Episodes, cool, detached and often regarded as Balanchine at his most abstract, and the fun Western Symphony
“A real shifting through the gears. The whole ensemble looked at the top of their game… A fine evening of the best in dance. Not to be missed.”
London City Ballet’s ‘Momentum’ 2025 UK tour gets underway on July 12. Artistic director Chris Marney talks about this year’s programme
Gala fireworks don’t come much brighter than Flames of Paris and the performance from Viola Pantuso and Shale Wagman was a winner
The programme of four well-chosen works by director, José Martinez, showed a company of versatile young professionals.
A well-curated programme that showcased the dancers’ skills well, culminating in Jerome Robbins’ American classic, Interplay
June 25 and 26 sees the first London edition of Gala de Danza. David Mead looks ahead to the event with founder and producer Christina Lyon
World premieres by Wayne McGregor, Cathy Marston, Akram Khan, León-Lightfoot, and a first Royal Ballet presentation by NYCB’s Justin Peck
The company are set to perform works by Martha Graham and Crystal Pite, a new ballet by Kameron N. Saunders, and some old favourites