Ballet Nights in Richmond
The choreographic mix, emerging dancers alongside dancing stars, is what makes Ballet Nights a unique experience… the dancing was an absolute joy
The choreographic mix, emerging dancers alongside dancing stars, is what makes Ballet Nights a unique experience… the dancing was an absolute joy
Somewhat more classical than previous years, the standard of dancing was sans pareil. Just what the doctor ordered.
“A triple-bill that’s classy and classic… Perspectives really is a cracking evening. Maybe too much of a good thing is sometimes not a bad thing at all.”
David Dawson’s Four Last Songs: sleek, extremely physical and emotional… Poetry in motion, it is utterly, utterly gorgeous.
A pleasing, if unexciting evening. While nicely danced, it would be fair to say that none of the three ballets are out of Balanchine’s top drawer.
Square Dance, bright and playful; Episodes, cool, detached and often regarded as Balanchine at his most abstract, and the fun Western Symphony
“A real shifting through the gears. The whole ensemble looked at the top of their game… A fine evening of the best in dance. Not to be missed.”
London City Ballet’s ‘Momentum’ 2025 UK tour gets underway on July 12. Artistic director Chris Marney talks about this year’s programme
Gala fireworks don’t come much brighter than Flames of Paris and the performance from Viola Pantuso and Shale Wagman was a winner
The programme of four well-chosen works by director, José Martinez, showed a company of versatile young professionals.
A well-curated programme that showcased the dancers’ skills well, culminating in Jerome Robbins’ American classic, Interplay