Ballet Icons 20th Anniversary Gala
Somewhat more classical than previous years, the standard of dancing was sans pareil. Just what the doctor ordered.
Somewhat more classical than previous years, the standard of dancing was sans pareil. Just what the doctor ordered.
Carlos Acosta’s sunny ballet provides “a lot of joy and a much-needed splash of sunshine on yet another grey, damp, dismal February day.”
A concert that mixed dance and music, the latter a little more to the fore… a largely successful and enjoyable programme.
A terrific evening. It was also one that probably contained more chances to see fouttées than most in the audience get in a year. No one disappointed.
The return of Black Sabbath – The Ballet and Don Quixote, and of The Green Table in a fabulous triple bill, plus a gala for Sir Peter Wright
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
A programme designed to show “What we are, who we are, and to give a taste of what we do.” A fine evening of high-quality dancing
Ines McIntosh carried the performance… She never faltered, blending French elegance with something rarer on the Parisian stage: fire
New and unfamiliar works rub shoulders with old favourites, with Sergio Bernal’s The Thinker the unexpected highlight of a super evening
For the second in our occasional series, the Birmingham Royal Ballet principal dancer chooses his seven works that have particular significance, saying a few words about each. Born in Yilan in the north-east of Taiwan, Tzu-chao Chou (周子超) was very active as a child. When he was nine, his parents thought that dance lessons would … Read more
With all ticket proceeds from which go to the charity, this year’s edition of established favourites and new work was a festive feast of fine dance