Focus Dance Company: Tempestuous
A rich and diverse programme of one masterwork, one popular revival and eight new student works… All were superbly danced.
A rich and diverse programme of one masterwork, one popular revival and eight new student works… All were superbly danced.
Nameless Practice by Chien Lin-yi (簡麟懿): “Brim-full of ideas and fabulous images… a really terrific piece that holds the attention from start to finish”
An evening of visual and emotional power, and of fireworks, that I have not seen the like of previously at the National Theater
A compelling exploration that sees two dancers explore the cultural essence of their bodies as they seek to answer the questions, ‘Who am I?’ and ‘Who are we?’
The young dancers of YBET were sadly nowhere to be seen in a double bill that was, in fact, a showcase for four of Taiwan’s established artists.
The festival guarantees surprise, delight, frustration and more as established choreographers and dancers rub shoulders with those still emerging
“Not only the highlight of the programme, but one of the best works I’ve ever seen in a Taiwanese vocational school show. And I’ve seen a lot.”
Can indigenous dance presented on stage ever be called ‘authentic’? A question posed by TAI Body Theatre’s Sym-Body
As music and dance intertwine, each it seems feeding off the other, feelings and emotions are writ large. Everything is given time to play out.
In South, Toru Shimazaki draws on elements of aboriginal dance and music, giving them a contemporary sentiment, but never loses sight of their soul.
The evening of largely student work consisted entirely of ensemble creations with lots of excellent committed dancing