New York City Ballet: Balanchine/Ratmansky
Concerto DSCH… is a perfect closing number. A quite delicious, sensual central pas de deux is bookended by jaunty, fun and upbeat movements.
Concerto DSCH… is a perfect closing number. A quite delicious, sensual central pas de deux is bookended by jaunty, fun and upbeat movements.
An often brutal, yet strangely often beautiful in its way, commentary on childhood experiences and feelings; on the youth of today as they struggle
A ballet of fine intentions. A ballet of plenty of fine moments that, at times, is quite powerful. But also one in need of stronger thread to hold it together
Angel’s Atlas by Crystal Pite doesn’t just speak to the viewer, it doesn’t just reach out and touch, it digs deep inside to find the soul.
David Mead talks to Wubkje Kuindersma and Seeta Patel, two of the five female choreographers for BRB’s new ‘Luna’
The opening performance was a triumph for Viola Pantuso in the title role. She felt real. Alert and bright-eyed… always gentle and courteous
Fine, bright, happy dancing, great characterisations, Osbert Lancaster’s brilliantly sunny designs. Even a super-cute pony. A real heart-warming evening.
Ballet returns to the Royal Shakespeare Theatre with Romeo and Juliet. “It’s fabulous to see it again and its Northern Ballet at their best.”
The dancers are outstanding… they brought youthful energy and zest to the stage… outstanding, always fluid partnering, and depth of emotion
A super evening. The finale of Moving Cloud is one of the most joyous five minutes or so I’ve witnessed on stage in a long time
A look ahead with Nancy Hirst (Icon Theatre) and Amina Khayyam (Amina Khayyam Dance Company) to Ghost Ships at Historic Dockyard Chatham