The Dance Locker: Melissa Hamilton
In the latest of our occasional series, Melissa Hamilton opens her dance locker, revealing a special moments and ballets from her career to date.
In the latest of our occasional series, Melissa Hamilton opens her dance locker, revealing a special moments and ballets from her career to date.
The young dancers of YBET were sadly nowhere to be seen in a double bill that was, in fact, a showcase for four of Taiwan’s established artists.
Acosta remains a fantastic partner and performer. The equally mesmerising Laura Rodríguez comfortably matches him for presence.
The festival guarantees surprise, delight, frustration and more as established choreographers and dancers rub shoulders with those still emerging
“Not only the highlight of the programme, but one of the best works I’ve ever seen in a Taiwanese vocational school show. And I’ve seen a lot.”
Can indigenous dance presented on stage ever be called ‘authentic’? A question posed by TAI Body Theatre’s Sym-Body
As music and dance intertwine, each it seems feeding off the other, feelings and emotions are writ large. Everything is given time to play out.
In South, Toru Shimazaki draws on elements of aboriginal dance and music, giving them a contemporary sentiment, but never loses sight of their soul.
If Maguy Marin has a signature work, May B. is surely it. Ahead of its coming to London, the choreographer Marin tells David Mead about the piece.
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
The evening of largely student work consisted entirely of ensemble creations with lots of excellent committed dancing