Clara Gibson Maxwell: Dancing on the Edge
A new book looking at the work of a choreographer who has largely avoided the mainstream, her creations, inspired by myriad influences, tending towards the experimental.
A new book looking at the work of a choreographer who has largely avoided the mainstream, her creations, inspired by myriad influences, tending towards the experimental.
It was good to see that Alvin Ailey American Dance Theater is in such excellent form and so connected to its roots.
“Awakening, spiritual searching, visions of heaven and the complications of human desire, before Revelations arrived with sorrow… sinners, salvation”
Certainly brought the crowds out. The free and unticketed performances at the Queen Elizabeth Olympic Park were packed out, with people taking every possible vantage point.
The dancing is powerful, the ensemble injecting a sense of great scale. As befits a work inspired by technological developments. the backing projections are impressive. The score by Sam Shepherd (aka Floating Points) is terrific
McRae’s attack, Lamb’s nerve, Nicholson’s theatrical instinct and Vassilev’s swagger feed off one another… pleasure keeps spilling outwards.