Carlos Acosta: Myths and Modern Masters
Myths and Modern Masters is not only about Acosta himself. It’s just as much a celebration of the talent at the two companies he leads.
Recent
Cats: an evening at the Jellicle Ball
Framed by trees, open sky and an atmospheric set, the production embraces its surroundings with confidence. Andrew Lloyd Webber’s score has lost none of its appeal. Drew McOnie’s choreography is frequently inventive and full of theatrical pleasure.
Wuji Dance Company: I Don’t Care by Jie Zhou
Not the exclamation of a recalcitrant teen but a new dance-theatre work by Jie Zhou (周婕) that reflects on how dress, profession, societal and social expectations shape how we see ourselves and are seen by others, and can stop us leading a fuller life.
I’m Every Woman: The Chaka Khan Musical
A roller-coaster journey through the artist’s life, incorporating many of her greatest hits alongside some less familiar material.
Love’s Labour’s Lost: Much ado about noise
Flamenco brings exactly the right kind of commotion to Indiana Lown-Collins’ production: hot, busy and impossible to keep private… Pablo Egea, in particular, brings a striking sculptural quality to the flamenco posture
A Life in Ballet. Judith Turos Leaves the Bayerisches Staatsballett after 45 Years
After retiring from the Bayerisches Staatsballett at the end of the 2025-26 season, Judith Turos talks to Jeannette Andersen about her career and the changes that have taken place in the company during her time