Impulstanz: Rush(es) by Alexandra Bachzetsis
“She sits astride a large black trunk, dressed in dark khaki waders and a tight-fitting black unitard. And a long red wig…”
“She sits astride a large black trunk, dressed in dark khaki waders and a tight-fitting black unitard. And a long red wig…”
Kuik Swee Boon’s work “explores community and the possibility of oneness. Before inviting anyone into a shared experience, it draws a boundary.”
From an almost bleak start, the work increasingly gains a drive, sense of freedom, joy and lust for life that totally captures the viewer.
Ballet Black brought its 25th anniversary double-bill to the very English summer setting, plus a short appearance from M22 Collective.
The formal beauty, purity and technical virtuosity of Balanchine, and the constant state of flux and harmonious chaos of Christian Spuck’s new creation
In new works by Hofesh Shechter and Aszure Barton, the company’s dancers were fabulous and mesmerising, and sucked us into two strange worlds almost devoid of references to reality, but full of emotion