A masterclass in building humour through movement. The Royal Ballet in La Fille mal gardée
A masterclass in building humour through movement… Sunny, innocent, orderly, and just absurd enough to keep it from becoming sentimental.
The Royal Ballet
Don’t blink: The Royal Ballet in Wayne McGregor’s Alchemies
Three works, three very different strategies, one shared demand: look at the stage, look at the people on it, and do not blink
International Draft Works 2026
The evening comes most alive in works such as Flux by Katya Bourvis for Ballet d’Jèrri which shows how power can shift through the duet form itself
National Dance Awards nominations announced
Once again, The Royal Ballet has most nominations with 14 on the short-list. English National Ballet and London City Ballet have four…
Mayerling: A world that breaks apart up close, and the body language of ruin
Kenneth MacMillan’s ballet is built from fractured needs, twisted intimacies and bodies that say what the characters themselves cannot
Giselle: a most honest romance
Nuñez’s Giselle looks unusually light within this world. Her peasant dancing is clean and loose, its ease producing flow rather than force
Ballet Nights 010: Decadance
An evening that brought together well-known names and Ballet Nights favourites, and featured the UK debut of Mexico’s Ballet de Monterrey.
The Royal Ballet’s The Nutcracker
At the curtain call, the audience greets Sir Peter Wright, his 99th birthday days away. Fiction and reality touch lightly. The ballet’s tradition no longer distant.
The Royal Ballet: Perspectives (Balanchine, Marston, Peck)
“A triple-bill that’s classy and classic… Perspectives really is a cracking evening. Maybe too much of a good thing is sometimes not a bad thing at all.”
La Fille mal gardée: Frederick Ashton’s sunshine ballet
When Marianela Nuñez stepped on stage, it was instantly clear that she was not pretending to be Lise, she was Lise.
The Royal Ballet: Like Water for Chocolate
As entertainment, Like Water for Chocolate succeeds. It is a rich, magical, exotic tragedy. But in terms of substance, it remains at the surface.