Scotland and Japan triumph at the 2025 National Dance Awards
As they celebrate their 40th anniversary, Scottish Dance Theatre won Best Mid-Scale Company, while Scottish Ballet’s Mary, Queen of Scots picked up two awards
As they celebrate their 40th anniversary, Scottish Dance Theatre won Best Mid-Scale Company, while Scottish Ballet’s Mary, Queen of Scots picked up two awards
The Royal Ballet dancers looked terrific in both ballets, Salle de Danse in particular a super vehicle for their wonderful physicality.
Making her debut as Lise, Mayara Magri was technically flawless. Her dancing was a thing of beauty, her partnership with Leo Dixon wonderfully assured
A masterclass in building humour through movement… Sunny, innocent, orderly, and just absurd enough to keep it from becoming sentimental.
Three works, three very different strategies, one shared demand: look at the stage, look at the people on it, and do not blink
The evening comes most alive in works such as Flux by Katya Bourvis for Ballet d’Jèrri which shows how power can shift through the duet form itself
Once again, The Royal Ballet has most nominations with 14 on the short-list. English National Ballet and London City Ballet have four…
Kenneth MacMillan’s ballet is built from fractured needs, twisted intimacies and bodies that say what the characters themselves cannot
Nuñez’s Giselle looks unusually light within this world. Her peasant dancing is clean and loose, its ease producing flow rather than force
An evening that brought together well-known names and Ballet Nights favourites, and featured the UK debut of Mexico’s Ballet de Monterrey.
At the curtain call, the audience greets Sir Peter Wright, his 99th birthday days away. Fiction and reality touch lightly. The ballet’s tradition no longer distant.