The Royal Ballet: MADDADDAM
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”
For all the good work that goes before, the undoubted highlight of the evening is Crystal Pite’s The Statement.
The opening performance was a triumph for Viola Pantuso in the title role. She felt real. Alert and bright-eyed… always gentle and courteous
Both specially filmed on location, Cohan’s Portraits is a series of five solos, while MacMillan’s Sea of Troubles is his shot at Shakespeare’s Hamlet
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
The evening rounded off on a high with Rhapsody… Daichi Ikarashi did well, leaping and turning with aplomb
The visits of Tiler Peck and Friends and Alvin Ailey American Dance Theater garner both two awards, with the De Valois lifetime award going to Ian Webb.
In the latest of our occasional series, Melissa Hamilton opens her dance locker, revealing a special moments and ballets from her career to date.
Like fine wine it’s enhanced with age, finding pole position as a heavyweight, dramatic ballet set to Joby Talbot’s music
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies