Motionhouse: Hidden
Artistic director Kevin Finnan’s works are always deeply thought, but I’m not sure any has reached out and touched as Hidden.
Artistic director Kevin Finnan’s works are always deeply thought, but I’m not sure any has reached out and touched as Hidden.
The opening moment; a sudden blackout… wall of sound… dancers pulsing in muscular rhythm in cold hazy light sets the stage for a momentous drama.
Tenret takes the audience through every emotion. There are searingly sad moments… frightening moments, and very funny moments.
Set to the highly evocative music of neo-soul artist D’Angelo and The Vanguard, An Untitled Love is a flowing, sensuous piece…
While certainly a romantic story of two lovers, Romeo and Juliet is also a tale haunted by death, which Bobrov emphasises throughout.
As if being able to juggle and dance weren’t enough, Sean Gandini and his company have added magic to the mix.
an emotional evening of dance. From the bittersweet melancholy of Rudi van Danzig’s Four Last Songs to the full-blooded passion of Mthuthuzeli November’s Fools with a fun interlude from Kristin McNally between, it was an evening to engage heart and soul.
Marianela Nuñez’s several-years-later Act III pas de deux with Lukas Bjørneboe Brændsrød’s Prince Gremin was a thing of sublime beauty
“A page-turningly good read” as “Fullington and Smith… invite the general and specialist reader alike to rethink nineteenth-century ballet.”
The happy grins and overheard comments during the interval told you all you needed to know. Mary Skeaping’s Giselle is wonderful, a real gem.
Nothing says Christmas more than a performance of The Nutcracker, and Birmingham Royal Ballet’s Royal Albert Hall production does not disappoint.