A rollerblading love story: Moritz Ostruschnjak’s CRY WHY
A very intimate and intense love story between two people, who barely touch each other, and express their love through… rollerblades.
Europe
Zürcher Theater Spektakel: a festival that confronts and includes
The festival’s main program showcased the perspectives of more than 240 artists from about 30 countries, with inequity often at the heart of works
Bayerisches Staatsballett: Sphären.02 | Preljocaj
Sphären.02 certainly embraced a spectrum of styles. Whether it said much about future directions for ballet or dance is highly questionable, however.
Two debuts, two promotions and Cranko’s fine Swan Lake with Stuttgart Ballet
“Freely adapted from traditional versions.” Fine performances from Gabriel Figueredo and Mizuki Amemiya, both promoted at the end of the evening
Florence Dance Festival 2024
An extraordinarily wide-ranging programme of work… in the highly atmospheric Grand Cloister of the Santa Maria Novella.
Staatstheater Nürnberg Ballett: Maillot/León-Lightfoot
Les Noces and Stop-Motion may only contain around an hour’s dance, but it proved an evening laden with emotion and intensity.
Emotions in full flow: Henrik Erikson and Mackenzie Brown in Stuttgart Ballet’s Romeo and Juliet
Mackenzie Brown and Henrik Erikson delivered in spades. Brown’s Juliet seemed to surf the waves of emotion that were flooding through her body
Classicism to the fore at the John Cranko School Matinée
Top quality dancing… But perhaps best of all, everything was very classically rooted, with pointework very much to the fore for the women.
Think Big: A dance festival for young audiences in Munich
In theatres, performance spaces, public squares and schools, with everything geared towards a young audience
An evening of many colours: Badisches Staatsballett’s International Benefit Gala
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
Nationaltheater Mannheim Dance Ensemble: Kosmos – SCHWERE los
Perhaps it’s best not to overthink it and rather just sit back and enjoy the fine dancing and the many nuances in the work’s sometimes strange imagery