Birmingham Royal Ballet: Don Quixote
Carlos Acosta’s sunny ballet provides “a lot of joy and a much-needed splash of sunshine on yet another grey, damp, dismal February day.”
Carlos Acosta’s sunny ballet provides “a lot of joy and a much-needed splash of sunshine on yet another grey, damp, dismal February day.”
All seventeen dancers were outstanding throughout, never dropping their attention to detail, bringing intense emotion to their dancing.
The best performance of the afternoon came in the closing pas de deux from The Firebird… Alexandra Manuel was quite simply terrific
Hybrid… Thumping energy… pulses with exciting, creative, and innovative steps, lifts, throws and floor moves.
The return of Black Sabbath – The Ballet and Don Quixote, and of The Green Table in a fabulous triple bill, plus a gala for Sir Peter Wright
There is a lot to like. It delights in so many ways. Filled with colour and energy, it’s guaranteed to put a smile on the face
Choreographer-director Carlos Acosta, and video and set designer Nina Dunn, talk about Acosta Danza’s forthcoming new Nutcracker in Havana
As he guests in Cape Town, Maggie Foyer speaks to Brandon Lawrence as he weighs up the pros and cons of making career defining choices
The dancers are outstanding… they brought youthful energy and zest to the stage… outstanding, always fluid partnering, and depth of emotion
What one remembers from this Carmen are the ensemble scenes. I don’t know what they were on, but their energy and stamina were incredible
The visits of Tiler Peck and Friends and Alvin Ailey American Dance Theater garner both two awards, with the De Valois lifetime award going to Ian Webb.