Birmingham Royal Ballet: Sir Peter Wright Centenary
An evening filled with heart, of classical excerpts and The Green Table. Carlos Acosta spoke warmly of Sir Peter, a man who did not just make ballets, but built worlds.
An evening filled with heart, of classical excerpts and The Green Table. Carlos Acosta spoke warmly of Sir Peter, a man who did not just make ballets, but built worlds.
Woking TheatreMay 6, 2026 Carlos Acosta’s Carmen has heat in flashes, but rarely enough pressure to make the evening catch fire. The problem is partly musical. The score suits each scene well enough, but the sections do not bite into one another. What should gather as fatal momentum often feels episodic. A tavern scene with … Read more
A riot of colour and sound from the first step to the last… sumptuous gaiety, romance and a great deal of fun… a score that seems to laugh from the pit.
Carlos Acosta’s sunny ballet provides “a lot of joy and a much-needed splash of sunshine on yet another grey, damp, dismal February day.”
All seventeen dancers were outstanding throughout, never dropping their attention to detail, bringing intense emotion to their dancing.
The best performance of the afternoon came in the closing pas de deux from The Firebird… Alexandra Manuel was quite simply terrific
Hybrid… Thumping energy… pulses with exciting, creative, and innovative steps, lifts, throws and floor moves.
The return of Black Sabbath – The Ballet and Don Quixote, and of The Green Table in a fabulous triple bill, plus a gala for Sir Peter Wright
There is a lot to like. It delights in so many ways. Filled with colour and energy, it’s guaranteed to put a smile on the face
Choreographer-director Carlos Acosta, and video and set designer Nina Dunn, talk about Acosta Danza’s forthcoming new Nutcracker in Havana
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