Chun Dance: Trace of Belief
Traditional and modern, religious and secular. All blended and overlapped in pleasing ways… But constant throughout is the human body
Traditional and modern, religious and secular. All blended and overlapped in pleasing ways… But constant throughout is the human body
Deeply thoughtful… very personal, it exposes many confusions and contradictions about identity and Taiwan’s relationship with China in particular.
An evening of great variety that included hip hop, dance theatre and more experimental pieces, all around fifteen minutes in length
Two programmes, twelve works by company members plus pieces by the well-established Huang Yi (黃翊), and the very much emerging Yu Wan-lun (余宛倫).
A superb evening of excellent performances and very good student choreography, topped off with Toru Shimazaki’s marvellous Zero Body (臨極限).
a stylistically rich evening, the work ranging from classical and contemporary ballet to traditional Chinese dance, all excellently performed
Tsai Meng-ting (蔡孟廷) and Lai Yi-fei (賴怡菲) in a programme of interesting choreography, and superb interpretation and ownership of roles.
Taiwan National Symphony Orchestra (國家交響樂團, NSO) and Dance Forum Taipei (舞蹈空間) in a magical show that delights from start to finish.
Lien Sheng (瀲生) included nine very varied student choreographies, sandwiched between two quality professional works by members of faculty
A particular kind of relationship stands at the centre of the work… a pattern in which a man observes, handles and directs a woman’s body.
With a very open-minded approach… Baru Madiljin weaves ancestral memory and still lingering historical scars into the dancers’ bodies and emotions.