The Mongol Khan
A sort of Peking Opera meets Bollywood mish-mash, with a generous amount of Shakespeare at its roots
A sort of Peking Opera meets Bollywood mish-mash, with a generous amount of Shakespeare at its roots
A fusion of music, dance, song, dialogue and puppetry with over 70 performers and elaborate sets and costumes, it promises to be a real spectacle.
Mangaldas commands the stage throughout. Forbidden is a journey, her journey based on personal emotions and experiences.
Su Pin-wen (蘇品文) and Alexandre Fandard are engaging performers with considerable stage presence. Yet both works, failed to deliver fully
Seventy minutes of colour: in light, costume and video design, and movement… The dancers are superb, individually and collectively.
Quite simply, a brilliant piece of theatre, one where the performers don’t move to music but dance the words, physically expressing them in every way
Danced to piano and string compositions by Valentin Silvestrov, and traditional folk music, it’s a picture of the people behind the headlines
Dance, physical theatre and circus to the National Theater’s black box stage in three, very different, 30-minute works.
Including ‘Sky ~ World challenge in Taiwan~’ by Reisa Shimojima from Japan. A serious theme for sure, but utterly mad and utterly brilliant
Over three packed days, artists from 15 countries presented 74 works at the company’s Wan Theater and 16 less traditional venues.
Presently being restaged as part of Cloud Gate’s 50th anniversary celebrations, it is ninety minutes of magnificent dance, and magnificent theatre