National Dance Awards nominations announced
Once again, The Royal Ballet has most nominations with 14 on the short-list. English National Ballet and London City Ballet have four…
Yorke Dance Project
Yorke Dance Project: Modern Milestones
The combination of Christopher Bruce and Leonard Cohen in Troubadour produces a dance magic of the sort rarely seen, spellbinding and unforgettable
National Dance Awards nominations announced
The Royal Ballet tops the shortlists with eleven nominations, followed by seven for English National Ballet
Kenneth MacMillan and Robert Cohan spotlighted in a new film: Dance Revolutionaries
Both specially filmed on location, Cohan’s Portraits is a series of five solos, while MacMillan’s Sea of Troubles is his shot at Shakespeare’s Hamlet
American visitors lead the way in the National Dance Awards 2023
The visits of Tiler Peck and Friends and Alvin Ailey American Dance Theater garner both two awards, with the De Valois lifetime award going to Ian Webb.
Ballet Nights 003
Proximity was highlight of the second half. Choreographed and performed by Pett|Clausen-Knight, it is a mature, sophisticated duet
Ballet Nights 002
David Dawson’s Metamorphosis 1… as hypnotic as the music, following it in building in intensity and complexity.
Dance up close. Ballet Nights launches in London’s Docklands
A new season mixing classical, neoclassical and contemporary dance, well-known works and new choreography gets off to a fine start
Dance up close and personal: Jamiel Devernay-Laurence talks about Ballet Nights
David Mead talks to the artistic director of Ballet Nights, a new season of dance this autumn at Lanterns Studio Theatre in London’s Canary Wharf
On the And, honouring the legacy of Sir Robert Cohan
On the And, is an apt title. The intake of breath that precipitates the rush of energy and action brings memories flooding back
Ballet leads the way in the 22nd National Dance Awards
Classical ballet dominates even more than usual, although this is likely a consequence of the unique circumstances of the year.