Marianela Nuñez’s Giselle debut at the Paris Opera Ballet: a postscript
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
The costumes are extraordinary, among the most striking and unusual ever conceived. Even a hundred years later, they look strangely futuristic.
The European Dance Hackathon: about thinking about the dance of tomorrow; to imagine the future of dance by combining it with new technologies
She will take over as new Ballet Director and Chief Choreographer for an initial period of two years, starting from the 2023-24 season
Joseph Sturdy talks about training, his career, injury, choreography, and his new work for the Royal Swedish Ballet, Sonatra
Includes a live streaming of The Piece with the Ship
The first purpose designed and built ballet school in Germany
Starts with Bausch’s ‘He takes her by the hand and leads her into the castle, the others follow’
New productions on the autumn menu in Stuttgart
A new mixed programme in July in the Opera House, with an audience