Ballet Black: …all towards hope and Ingoma
Two works that, in different ways, speak about hope and togetherness that unfold as a conversation about what hope might mean, and what it takes for people to stand together.
Two works that, in different ways, speak about hope and togetherness that unfold as a conversation about what hope might mean, and what it takes for people to stand together.
Somewhat more classical than previous years, the standard of dancing was sans pareil. Just what the doctor ordered.
As the always much-anticipated annual Ballet Icons Gala reaches a milestone, David Mead talks to founder-director Olga Balakleets.
Two pieces by young choreographers, both of whom have a special relationship with the company: Mthuthuzeli November and Phoebe Jewitt.
Best Male Dancer jointly awarded to Tommy Franzén (hip hop) and Aakash Odedra (kathak), with both also winning performance awards.
A terrific evening. It was also one that probably contained more chances to see fouttées than most in the audience get in a year. No one disappointed.
an emotional evening of dance. From the bittersweet melancholy of Rudi van Danzig’s Four Last Songs to the full-blooded passion of Mthuthuzeli November’s Fools with a fun interlude from Kristin McNally between, it was an evening to engage heart and soul.
As he guests in Cape Town, Maggie Foyer speaks to Brandon Lawrence as he weighs up the pros and cons of making career defining choices
Laplane whose Click was such a delight, returns with a new creation, If At First, that explores heroism, a noble quality and worthy of investigation
A well-balanced programme of quality dance – the visit of 92-year-old Hans van Manen and a rapturously received premiere from Mthuthuzeli November
There is much to like, not least that all have an overt classical core… A big hurrah too for the fact that three of the pieces feature pointework…