New York City Ballet: All-Peck
Everywhere We Go is a ballet that’s never forgets its classical roots, but ballet that’s also very ‘of today.’ The sort of ballet that makes you want to return.
New York City Ballet
New York City Ballet: Contemporary Choreography
Tiler Peck’s Concerto for Two Pianos is an absolute delight. The intelligently structured choreography is as highly-skilled as the dancing
New York City Ballet: Balanchine/Ratmansky
Concerto DSCH… is a perfect closing number. A quite delicious, sensual central pas de deux is bookended by jaunty, fun and upbeat movements.
New York City Ballet’s London return
While the company has always projected a sense of excitement and even danger… alas, little was evident in this quadruple bill.
Witty, candid, sobering: Georgina Pazcoguin’s Swan Dive
Pazcoguin writes with eviscerating directness and a fiendish sense of humour that perhaps offers a certain distance from the darkness of her material
New York City Ballet Digital Spring Gala captures the beauty of ballet and hope for the future
Leaves you shouting for more
The 21st National Dance Awards nominations announced
Drawn from a remarkable 456 artists and companies suggested
New York City Ballet Digital Season 2021: Prodigal Son
A quite innovative piece of dramatic storytelling through dance