Alvin Ailey Dance Theater, Legacy
It was good to see that Alvin Ailey American Dance Theater is in such excellent form and so connected to its roots.
UK
A Spiritual Journey: Alvin Ailey American Dance Theater, New Works
“Awakening, spiritual searching, visions of heaven and the complications of human desire, before Revelations arrived with sorrow… sinners, salvation”
Greenwich+Docklands International Festival: Dancing City
Certainly brought the crowds out. The free and unticketed performances at the Queen Elizabeth Olympic Park were packed out, with people taking every possible vantage point.
San Francisco Ballet in Aszure Barton’s Mere Mortals
The dancing is powerful, the ensemble injecting a sense of great scale. As befits a work inspired by technological developments. the backing projections are impressive. The score by Sam Shepherd (aka Floating Points) is terrific
The Royal Ballet: The McRae / Vassilev Project
McRae’s attack, Lamb’s nerve, Nicholson’s theatrical instinct and Vassilev’s swagger feed off one another… pleasure keeps spilling outwards.
National Youth Ballet: Echoes of Tomorrow
An evening that shone with optimism and hope, an evening when young people showed us a better world working together creatively in an atmosphere of respect and harmony to deliver a vibrant programme of dance
Dance, film, collaboration, community: Ekleido at Harbour House
Following a live performance in the town, an exhibition in KIngsbridge, South Devon encourages all to come and explore Ekleido’s movement, choreographic ideas and creative process
Confidence, challenge and considerable promise in The Place CAT Summer Show
Moving between contrasting choreographers, styles and emotional worlds, all the dancers, all 16 or under, performed with flair, confidence and impressive technical ability.
Cats: an evening at the Jellicle Ball
Framed by trees, open sky and an atmospheric set, the production embraces its surroundings with confidence. Andrew Lloyd Webber’s score has lost none of its appeal. Drew McOnie’s choreography is frequently inventive and full of theatrical pleasure.
Wuji Dance Company: I Don’t Care by Jie Zhou
Not the exclamation of a recalcitrant teen but a new dance-theatre work by Jie Zhou (周婕) that reflects on how dress, profession, societal and social expectations shape how we see ourselves and are seen by others, and can stop us leading a fuller life.
I’m Every Woman: The Chaka Khan Musical
A roller-coaster journey through the artist’s life, incorporating many of her greatest hits alongside some less familiar material.