Next Generation Festival: The Royal Ballet School and School of American Ballet
An evening of thirteen short works and excerpts, moving between heritage repertoire, 20th-century classics, contemporary choreography and creations
An evening of thirteen short works and excerpts, moving between heritage repertoire, 20th-century classics, contemporary choreography and creations
Esther Merino… an unwaveringly strong tone and a command of the stage whilst always co-operating with her accompanists.
A cohesive, well-designed evening that married solid, largely traditional, flamenco with slick presentation.
An evening filled with heart, of classical excerpts and The Green Table. Carlos Acosta spoke warmly of Sir Peter, a man who did not just make ballets, but built worlds.
Across the evening, the dancers show strength, secure partnering and a physical language rich with possibility. Their bodies twist and fold through unusual shapes
An excellent evening of dance and music, solidly respectful of flamenco traditions and impressively slick in presentation.
The strongest section comes late in the evening. Winter introduces older performers, and suddenly the theme of time gains substance
The Royal Ballet dancers looked terrific in both ballets, Salle de Danse in particular a super vehicle for their wonderful physicality.
The three works do not provide much contrast and nothing seemed to speak to the age. The programme seemed empty and superficial.
Making her debut as Lise, Mayara Magri was technically flawless. Her dancing was a thing of beauty, her partnership with Leo Dixon wonderfully assured
A high-energy fusion of hip-hop, breaking, street dance and live funk music… a lively, skilful and exhilarating evening.