Pam Tanowitz’s Pastoral. Beautiful pieces, strangely little pull
The dancers are excellent, the movement has a sly sense of humour, the set is beautiful, the sound world keeps throwing up new ideas. But those pleasures rarely seem to gather.
The dancers are excellent, the movement has a sly sense of humour, the set is beautiful, the sound world keeps throwing up new ideas. But those pleasures rarely seem to gather.
The Royal Ballet tops the shortlists with eleven nominations, followed by seven for English National Ballet
For all the good work that goes before, the undoubted highlight of the evening is Crystal Pite’s The Statement.
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
While the company has always projected a sense of excitement and even danger… alas, little was evident in this quadruple bill.
Stripped of emotional content… her choreography is cool, refined and restrained. It’s also intensely beautiful.
The energy and courage of the dancers is a joy to watch and director David Halberg has a company to be proud of
Plus ballets by Gemma Bond, Pam Tanowitz and Darrell Grand Moultrie
Winter and Spring 2021 seasons cancelled
New commissions created in quarantined settings
Five weeks of films, workshops and classes