Cathy Marston opens her Ballett Zürich directorship with Walkways
In each ballet, the dancers literal cross from one side of the stage to the other, but their pathways also cross and open new beginnings.
In each ballet, the dancers literal cross from one side of the stage to the other, but their pathways also cross and open new beginnings.
The Cellist: a fine piece of dance drama, and a fitting memoir of a brilliant and popular musician whose career and life were so tragically cut short.
“The worst thing is regret. And it’s an opportunity I can’t ignore. I don’t want to be wondering, ‘What if?’”
Marston says, she hopes to “develop and nurture a creative group of individuals, where each single dancer stands out on stage.”
A journey through heartbreaking emotions. As the Cellist, Guilia Tonelli embodied the indescribable pain of losing everything.
On the Move is not only the title of Ballett Zürich’s latest triple bill… but also a description of the momentary state of affairs at the company.
The choreography may often be busy and fast-paced, but the dancers rise to it with energy levels that need to be seen to be believed.
Würtz is the first contemporary dancer to win Best Female Dancer. Elsewhere, Cathy Marston’s The Cellist picked up three prizes
She will take over as new Ballet Director and Chief Choreographer for an initial period of two years, starting from the 2023-24 season
In For an Instant, Lebrun achieves a sense of the fleeting through continual movement with unexpected changes in pace and gesture
After twenty years in the role, David Nixon is to step down as Northern Ballet’s Artistic Director in December 2021