The Royal Ballet School Summer Performance
Time and again the young dancers rose marvellously to the pressure of the occasion in what was a wonderful display of skill and talent. It was also a hugely enjoyable performance choreographically.
Time and again the young dancers rose marvellously to the pressure of the occasion in what was a wonderful display of skill and talent. It was also a hugely enjoyable performance choreographically.
An evening filled with heart, of classical excerpts and The Green Table. Carlos Acosta spoke warmly of Sir Peter, a man who did not just make ballets, but built worlds.
Nuñez’s Giselle looks unusually light within this world. Her peasant dancing is clean and loose, its ease producing flow rather than force
A ballet that wraps young and old alike in a warm, familiar fantasy, it’s a chance to snuggle down and forget the world outside for a couple of hours.
At the curtain call, the audience greets Sir Peter Wright, his 99th birthday days away. Fiction and reality touch lightly. The ballet’s tradition no longer distant.
The programme for the Upper School showcased the talent, technique and artistry of the students across in classical ballet, contemporary and jazz
The return of Black Sabbath – The Ballet and Don Quixote, and of The Green Table in a fabulous triple bill, plus a gala for Sir Peter Wright
Nothing says Christmas more than a performance of The Nutcracker, and Birmingham Royal Ballet’s Royal Albert Hall production does not disappoint.
Undoubtedly the best production of the ballet in this country by some distance, it’s once again casting its spell over audiences
Peter Wright’s unerring sense of theatre is evident throughout in this iconic production which premiered in 1984
Yu Kurihara’s Aurora is light, elegant and comes with a smile that lights up the whole theatre.