Flamenco Festival 2026: Rocío Molina’s Calentamiento
I loved it, I hated it. I was amused. I was mesmerised, I was bored. It was profound, it was pretentious. It was loud, you could hear a pin drop.
I loved it, I hated it. I was amused. I was mesmerised, I was bored. It was profound, it was pretentious. It was loud, you could hear a pin drop.
Esther Merino… an unwaveringly strong tone and a command of the stage whilst always co-operating with her accompanists.
A cohesive, well-designed evening that married solid, largely traditional, flamenco with slick presentation.
An excellent evening of dance and music, solidly respectful of flamenco traditions and impressively slick in presentation.
The three works do not provide much contrast and nothing seemed to speak to the age. The programme seemed empty and superficial.
A wonderfully inventive piece of dance theatre, and one of the most creatively choreographed works I have seen in a long time
While interesting, and despite one striking solo for Ophelia, this is a Hamlet that only very occasionally gets close to the depth of the original
What remains most impressive is the calibre of the dancers. They show athletic power, musical responsiveness, sharp ensemble work and superb technique
Irresistible. The joke never feels thin, because the dancing underneath it is so alive. Technique is there, ego is there, bad behaviour is there
Contemporary dance, krump, and street-based forms intersected and overlapped in an evening that reflected the diversity of hip hop today.
A riot of colour and sound from the first step to the last… sumptuous gaiety, romance and a great deal of fun… a score that seems to laugh from the pit.