Gauthier Dance in Akram Khan’s Turning of Bones
A tale of love and violence, of belonging to or being expelled, of life and death, all taking place in the liminal space between reality, dream, memory…
A tale of love and violence, of belonging to or being expelled, of life and death, all taking place in the liminal space between reality, dream, memory…
Even the afterlife offers no freedom, only a different choreography of obedience. In this Giselle, death is not release. It is relocation.
A super programme, the highlight being the return of Jo Strømgren’s The Exhibition, a tale of the accidental meeting of two people in a gallery
Movement is precise, the ensemble formidable. Hair lashes through the air, sound rises from the floor, drums and chanting mix with the dry friction of sand
Set against a backdrop of the trenches and images of men going ‘over the top’, it remains incredibly haunting. The audience was totally rapt.
Lines and patterns form, break and reform anew, Feet stomp arms whirl, torsos arc backwards… As the tension builds, the power of the group is tremendous
Erina Takahashi remains a dancer and actor par excellence. There were excellent performances all round in Taipei, but it was very much her evening.
The Royal Ballet tops the shortlists with eleven nominations, followed by seven for English National Ballet
World premieres by Wayne McGregor, Cathy Marston, Akram Khan, León-Lightfoot, and a first Royal Ballet presentation by NYCB’s Justin Peck
The company are set to perform works by Martha Graham and Crystal Pite, a new ballet by Kameron N. Saunders, and some old favourites
A super hour or so of theatre, one in which bharatnatyam, kathak and kutiyattam come together with ease