News & Features 3 - SeeingDance

Valentino Zucchetti talks Tales of Apollo and Hercules

June 23, 2026February 24, 2025 by Maggie Foyer

Zucchetti notes that Greco-Roman mythology was rooted in his upbringing… “I want to use ballet to drive the story and shape the narrative”

June 23, 2026January 30, 2025 by David Mead

The return of Black Sabbath – The Ballet and Don Quixote, and of The Green Table in a fabulous triple bill, plus a gala for Sir Peter Wright

June 23, 2026January 12, 2025 by David Mead

“It’s a very personal show for me,” says Kevin Finnan about Hidden. “I have very strong feelings about the things we see around the world.”

June 30, 2026October 30, 2024 by Mary Staub

Brücki 235 came into being after surveys revealed a dire lack of rehearsal space and performance opportunities for dance and theatre artists

June 30, 2026October 21, 2024 by David Mead

Choreographer-director Carlos Acosta, and video and set designer Nina Dunn, talk about Acosta Danza’s forthcoming new Nutcracker in Havana

June 30, 2026October 13, 2024 by Maggie Foyer

As he guests in Cape Town, Maggie Foyer speaks to Brandon Lawrence as he weighs up the pros and cons of making career defining choices

June 23, 2026September 29, 2024 by David Mead

David Mead talks to Wubkje Kuindersma and Seeta Patel, two of the five female choreographers for BRB’s new ‘Luna’

June 23, 2026September 27, 2024 by Maggie Foyer

The auditorium is a model of versatility with many different configurations. There’s even a properly sprung dance floor in the foyer

June 23, 2026September 22, 2024 by Maggie Foyer

Ahead of their debuts as Akram Khan’s Giselle, ENB’s Francesca Velicu and Ivana Bueno spoke to Maggie Foyer about getting into the role.

June 23, 2026September 11, 2024 by David Mead

A look ahead with Nancy Hirst (Icon Theatre) and Amina Khayyam (Amina Khayyam Dance Company) to Ghost Ships at Historic Dockyard Chatham

June 30, 2026July 4, 2024 by David Mead

Ahead of its extensive UK and overseas tour, David Mead talks to London City Ballet artistic director Chris Marney about the company’s relaunch.