New English Ballet Theatre: Genesis Dance Project and New Works
The most impressive of the works proved to be Daniela Cardim’s unashamedly neoclassical ballet to two of Bach’s harpsichord compositions
The most impressive of the works proved to be Daniela Cardim’s unashamedly neoclassical ballet to two of Bach’s harpsichord compositions
The Cellist: a fine piece of dance drama, and a fitting memoir of a brilliant and popular musician whose career and life were so tragically cut short.
Genesis Dance Project features six choreographies to tracks by the iconic band. David Mead talks to Ruth Brill, one of the choreographers.
Classical ballet dominates even more than usual, although this is likely a consequence of the unique circumstances of the year.
A conversation with New English Ballet Theatre founder and artistic director Karen Pilkington-Miksa about the company’s summer 2022 season.
The Royal Ballet tops the list with a total of 17 nominations, followed by English National Ballet and New Adventures (7 apiece)
A fine afternoon’s dancing, this year mostly by the Upper School, highlighted by Elite Syncopations
Drawn from a remarkable 456 artists and companies suggested