Sadler’s Wells East revealed
The auditorium is a model of versatility with many different configurations. There’s even a properly sprung dance floor in the foyer
News & Features
Giselle debuts
Ahead of their debuts as Akram Khan’s Giselle, ENB’s Francesca Velicu and Ivana Bueno spoke to Maggie Foyer about getting into the role.
Ghost Ships brings history to life
A look ahead with Nancy Hirst (Icon Theatre) and Amina Khayyam (Amina Khayyam Dance Company) to Ghost Ships at Historic Dockyard Chatham
A company reborn: London City Ballet rises again
Ahead of its extensive UK and overseas tour, David Mead talks to London City Ballet artistic director Chris Marney about the company’s relaunch.
English National Ballet School dance PCK and Pita
Most fun was Arthur Pita´s Death Defying Dances. Full of dark humour and fabulous music, it is an absolute delight.
Marianela Nuñez’s Giselle debut at the Paris Opera Ballet: a postscript
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
American visitors lead the way in the National Dance Awards 2023
The visits of Tiler Peck and Friends and Alvin Ailey American Dance Theater garner both two awards, with the De Valois lifetime award going to Ian Webb.
Rentaro Nakaaki on choreographing for English National Ballet’s Emerging Dancer
It will be another step on his choreographic journey as he creates the contemporary work for 2024 finalists, Anna Ciriano and Shunhei Fuchiyama
The Dance Locker: Melissa Hamilton
In the latest of our occasional series, Melissa Hamilton opens her dance locker, revealing a special moments and ballets from her career to date.
A weekend of all that’s good about dance at Taipei’s Want to Dance Festival
The festival guarantees surprise, delight, frustration and more as established choreographers and dancers rub shoulders with those still emerging
Humanity. Tragedy with comedy. Maguy Marin on May B.
If Maguy Marin has a signature work, May B. is surely it. Ahead of its coming to London, the choreographer Marin tells David Mead about the piece.