Marianela Nuñez’s Giselle debut at the Paris Opera Ballet: a postscript
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
The visits of Tiler Peck and Friends and Alvin Ailey American Dance Theater garner both two awards, with the De Valois lifetime award going to Ian Webb.
It will be another step on his choreographic journey as he creates the contemporary work for 2024 finalists, Anna Ciriano and Shunhei Fuchiyama
In the latest of our occasional series, Melissa Hamilton opens her dance locker, revealing a special moments and ballets from her career to date.
If Maguy Marin has a signature work, May B. is surely it. Ahead of its coming to London, the choreographer Marin tells David Mead about the piece.
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
A conversation with artistic director Marlon D. Simms about the company, and what Let’s Dance International Frontiers audiences can expect
Despite knee-pads and sore muscles – the dancers said that Skeels’ style is hard on a ballet trained body – the studio at times reverberated with laughter.
Maggie Foyer talks to James Pett and Travis Clausen-Knight, whose IMAGO receives its UK premiere on April 26 and 27.
A show that will, in his own words, have the “colour, feel and vibrancy of Havana with the tradition and beauty of The Nutcracker.”
The 2024-25 season also includes a new work by William Forysythe as part of a Forsythe evening, and both the company’s Giselles.