A rollerblading love story: Moritz Ostruschnjak’s CRY WHY
A very intimate and intense love story between two people, who barely touch each other, and express their love through… rollerblades.
A very intimate and intense love story between two people, who barely touch each other, and express their love through… rollerblades.
Sphären.02 certainly embraced a spectrum of styles. Whether it said much about future directions for ballet or dance is highly questionable, however.
Les Noces and Stop-Motion may only contain around an hour’s dance, but it proved an evening laden with emotion and intensity.
Mackenzie Brown and Henrik Erikson delivered in spades. Brown’s Juliet seemed to surf the waves of emotion that were flooding through her body
Top quality dancing… But perhaps best of all, everything was very classically rooted, with pointework very much to the fore for the women.
In theatres, performance spaces, public squares and schools, with everything geared towards a young audience
Perhaps it’s best not to overthink it and rather just sit back and enjoy the fine dancing and the many nuances in the work’s sometimes strange imagery
It may be abstract in the sense of being non-narrative… but Dawson’s choreography and the company’s dancing reached inside and touched the soul
This performance of Patrice Bart’s Giselle was special in that it saw Ksenia Ovsyanick dance the lead role for the last time
A well-balanced programme of quality dance – the visit of 92-year-old Hans van Manen and a rapturously received premiere from Mthuthuzeli November
The nine performers were absolutely fabulous. They were in complete command of every physical expression