Ballet Revolución in Munich
Like a musical without a plot, one dance routine follows the next without any connection. But this is easily made up for by the exuberant dancing
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Heinz-Bosl-Stiftung Spring Matinée in Munich
Twice annually, the matinées are very popular. They present the Bayerisches Junior Ballet and Ballett-Akademie der Hochschule für Musik und Theater
Radical Classical with Gauthier Dance Juniors
A rollercoaster of sheer fun, erotic display and a quiet moment of reflection in a programme of seven pieces by seven choreographers all to classical music.
Onegin with the Bayerisches Staatsballett
Onegin is always big drama – a tale in which the characters turn into human beings, real people who hit you viscerally with all their anguish and throes
Designer Jürgen Rose receives a lifetime achievement award
In ballet, Jürgen Rose is noted for his work with John Cranko and John Neumeier in particular. Jeannette Andersen recently visited him to talk about his work.
Gauthier Dance in Akram Khan’s Turning of Bones
A tale of love and violence, of belonging to or being expelled, of life and death, all taking place in the liminal space between reality, dream, memory…
Bayerisches Staatsballett in Neumeier’s Illusionen – wie Schwanensee
A coming together of Swan Lake and the ill-fated King Ludwig II of Bavaria, a troubled dreamer renowned for building castles and his homosexuality
Staging Béjart’s iconic Bolero
Ahead of performances by the Bayerisches Staatsballett in Munich, Piotr Nardelli talks about staging the work, and why it is still such a success.
La Sylphide with the Bayerisches Staatsballett
Keller not only looks like an incarnation of the sylphs in the engravings of the ballet from the Romantic era, she also fills her creature with life
Gauthier Dance Juniors: Dream Team
All six dancers appeared in all four pieces, performing with class, commitment and bags of energy. Best, though was the way all connected with the audience
A Symbiosis of Dance and Music: Listen! by Ceren Oran
As musicians and dancers shared the stage, the music seemed to be bound together by moving bodies, which again were bound through the music