An evening of many colours: Badisches Staatsballett’s International Benefit Gala
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
It may be abstract in the sense of being non-narrative… but Dawson’s choreography and the company’s dancing reached inside and touched the soul
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
David Dawson’s Metamorphosis 1… as hypnotic as the music, following it in building in intensity and complexity.
Hopes were up. ENB have been riding high of late, with particularly strong dancing from the men and exciting choices of programme.
David Mead talks to the artistic director of Ballet Nights, a new season of dance this autumn at Lanterns Studio Theatre in London’s Canary Wharf
An enjoyable and interesting evening with the focus on duets and the more contemporary end of the spectrum, and only one firework pas de deux.
ENB’s 2023-24 season will feature new ballets by Andrea Miller and David Dawson, plus the UK premiere of Johan Inger’s Carmen.
Modern yes, but still a ballet driven by emotions and imperfect people…and that in Act II especially, touches in all the right places
One of those blissful moments when dance, music and design chassé into alignment…a moment of sublime beauty
Destined to become a contemporary ballet classic