The Royal Ballet: MADDADDAM
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
If you can endure the unnerving projections and the musical scares… the brilliant dancers make it a satisfying experience
New and unfamiliar works rub shoulders with old favourites, with Sergio Bernal’s The Thinker the unexpected highlight of a super evening
The dancing was outstanding… McGregor’s choreography, or it is AI choreography, is creative, innovative, and exciting to watch. Until it isn’t.
A reimagined concert production of Karol Szymanowski’s ballet score Harnasie. It’s a strange production; certainly an unusual way of presenting dance
In each ballet, the dancers literal cross from one side of the stage to the other, but their pathways also cross and open new beginnings.
“The worst thing is regret. And it’s an opportunity I can’t ignore. I don’t want to be wondering, ‘What if?’”
Six new pieces performed by the third-years, alongside two award-winning works by noted choreographers danced by the second-years.
Wayne McGregor’s new and elegantly clean ‘Untitled, 2023’, Christopher Wheeldon’s ‘Corybantic Games’, and Natalia Osipova as Anna Anderson