Scotland and Japan triumph at the 2025 National Dance Awards
As they celebrate their 40th anniversary, Scottish Dance Theatre won Best Mid-Scale Company, while Scottish Ballet’s Mary, Queen of Scots picked up two awards
As they celebrate their 40th anniversary, Scottish Dance Theatre won Best Mid-Scale Company, while Scottish Ballet’s Mary, Queen of Scots picked up two awards
The Juilliard School in New York and Rambert School in London, the wizardry of MAM + AISOMA and choreography by Wayne McGregor
Three works, three very different strategies, one shared demand: look at the stage, look at the people on it, and do not blink
The highlight was undoubtedly the excerpt from Wayne McGregor’s Entity… The Elmhurst graduates gave it their all, and the result was electric.
As the always much-anticipated annual Ballet Icons Gala reaches a milestone, David Mead talks to founder-director Olga Balakleets.
High-tech projectors pulse like a digital nervous system. This is choreographer Wayne McGregor’s rabbit hole, his twenty-first-century Alice in Wonderland.
The true subject of Infinite Bodies is not technology but seeing itself. AI is not only creating art; it is learning to see
World premieres by Wayne McGregor, Cathy Marston, Akram Khan, León-Lightfoot, and a first Royal Ballet presentation by NYCB’s Justin Peck
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies