The Ballet Icons Gala celebrates 20 years
As the always much-anticipated annual Ballet Icons Gala reaches a milestone, David Mead talks to founder-director Olga Balakleets.
As the always much-anticipated annual Ballet Icons Gala reaches a milestone, David Mead talks to founder-director Olga Balakleets.
High-tech projectors pulse like a digital nervous system. This is choreographer Wayne McGregor’s rabbit hole, his twenty-first-century Alice in Wonderland.
The true subject of Infinite Bodies is not technology but seeing itself. AI is not only creating art; it is learning to see
World premieres by Wayne McGregor, Cathy Marston, Akram Khan, León-Lightfoot, and a first Royal Ballet presentation by NYCB’s Justin Peck
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
If you can endure the unnerving projections and the musical scares… the brilliant dancers make it a satisfying experience
New and unfamiliar works rub shoulders with old favourites, with Sergio Bernal’s The Thinker the unexpected highlight of a super evening
The dancing was outstanding… McGregor’s choreography, or it is AI choreography, is creative, innovative, and exciting to watch. Until it isn’t.
A reimagined concert production of Karol Szymanowski’s ballet score Harnasie. It’s a strange production; certainly an unusual way of presenting dance