Ballet Nights 007
While the seventh edition of Ballet Nights may have had the suffix ‘007,’ it fell short on James Bond-style thrills.
While the seventh edition of Ballet Nights may have had the suffix ‘007,’ it fell short on James Bond-style thrills.
Co-founder and artistic and executive director Christine Cox talks about the company and its work, and Trey McIntyre’s ‘Big Ones,’ which they wil dance
A mixed bill brought, inevitably perhaps, mixed success but without a shadow of a doubt, it was worth it for Set Fast alone.
What we’ve come to expect from Ballet Nights is quality, variety and difference. This was evident in spades at the fifth presentation.
Maggie Foyer talks to James Pett and Travis Clausen-Knight, whose IMAGO receives its UK premiere on April 26 and 27.
Proximity was highlight of the second half. Choreographed and performed by Pett|Clausen-Knight, it is a mature, sophisticated duet
David Dawson’s Metamorphosis 1… as hypnotic as the music, following it in building in intensity and complexity.
A new season mixing classical, neoclassical and contemporary dance, well-known works and new choreography gets off to a fine start
David Mead talks to the artistic director of Ballet Nights, a new season of dance this autumn at Lanterns Studio Theatre in London’s Canary Wharf