The Dance Locker: Alina Cojocaru
In the first of an occasional new series, Alina Cojocaru chooses seven works that have particular significance for her, saying a few words about each.
In the first of an occasional new series, Alina Cojocaru chooses seven works that have particular significance for her, saying a few words about each.
Artistic director and choreographer Cheng Tsung-lung talks about Lunar Halo, in which dancers become symbols of struggles, desires, hope, love
A fusion of music, dance, song, dialogue and puppetry with over 70 performers and elaborate sets and costumes, it promises to be a real spectacle.
Directed by Christopher Marney, it will return to the stage in summer 2024, touring across the UK, including a week at Sadler’s Wells that autumn.
Genesis Dance Project features six choreographies to tracks by the iconic band. David Mead talks to Ruth Brill, one of the choreographers.
The noted Indian choreographer-dancer talks about her solo show, which considers to often taboo subject of female sexual desire
David Mead talks to the artistic director of Ballet Nights, a new season of dance this autumn at Lanterns Studio Theatre in London’s Canary Wharf
“The worst thing is regret. And it’s an opportunity I can’t ignore. I don’t want to be wondering, ‘What if?’”
A great year for Scottish Ballet who were voted Outstanding Company, also picking up two awards for Jess & Morgs’ Coppélia
Marston says, she hopes to “develop and nurture a creative group of individuals, where each single dancer stands out on stage.”
The Royal Ballet tops the short-list with 14 nominations. English National Ballet and Rambert have seven, and Birmingham Royal Ballet five.