Polymer DMT / Lo Fang-yun: The Seas Between Us
Taking the unresolved conflict between China and Taiwan as its starting point, a look at how political systems and cultural influences shape identity, behaviour and relationships
Taking the unresolved conflict between China and Taiwan as its starting point, a look at how political systems and cultural influences shape identity, behaviour and relationships
Sound dominates the evening from the start. Prince swings a microphone above his head until the amplified rush begins to resemble wind
Moving between contrasting choreographers, styles and emotional worlds, all the dancers, all 16 or under, performed with flair, confidence and impressive technical ability.
Two works with very different forms of propulsion that remind how thrilling modern dance can be when rhythm takes hold of the body and refuses to let go
Both sit in the territory of grief, ritual and remembrance… An evening that was certainly distinctive, occasionally compelling, but also frustratingly limited
A solo work that traces Francis’ journey in dance, moving between performance and personal reflection.
There is something wonderfully slippery about The Great Chevalier. At its centre is M. Chevalier, played with delicious comic authority by Louis Chevalier.
Masui excels in crafting inventive and sharply controlled sequences in which physical precision and dramatic tension work together to powerful effect.
Following Vessel, In the Absence leaves the audience feeling oddly uplifted, sprinkling a little of its shine on us in these dark and dismal times.
An excellent triple bill… a superb evening, one that showed, once again, that the NSCD is still at the top of the dance training tree
It was a loud night. Not in decibels, but in the way each of the three short works occupied the act of looking.