Travellers and particles: Voyage and Hakkō by Korea National Contemporary Dance Company
Two works with very different forms of propulsion that remind how thrilling modern dance can be when rhythm takes hold of the body and refuses to let go
Two works with very different forms of propulsion that remind how thrilling modern dance can be when rhythm takes hold of the body and refuses to let go
Both sit in the territory of grief, ritual and remembrance… An evening that was certainly distinctive, occasionally compelling, but also frustratingly limited
A solo work that traces Francis’ journey in dance, moving between performance and personal reflection.
There is something wonderfully slippery about The Great Chevalier. At its centre is M. Chevalier, played with delicious comic authority by Louis Chevalier.
Masui excels in crafting inventive and sharply controlled sequences in which physical precision and dramatic tension work together to powerful effect.
Following Vessel, In the Absence leaves the audience feeling oddly uplifted, sprinkling a little of its shine on us in these dark and dismal times.
An excellent triple bill… a superb evening, one that showed, once again, that the NSCD is still at the top of the dance training tree
It was a loud night. Not in decibels, but in the way each of the three short works occupied the act of looking.
A varied selection of choreographic voices… Every work showed a different sense of direction, whether through ideas, energy or physical presence
A very appealing and always engaging 55-minute look at what it really takes to work creatively with another person
About HIV/AIDS, Tell Me certainly leaves its mark. For all its difficult subject matter, it’s also a work that’s warm and full of hope and optimism.