Up-close and full-on: Rambert in Analogue
A short programme, just one 50-minute number, but pure gold in terms of amazing dance in a no-frills package.
A short programme, just one 50-minute number, but pure gold in terms of amazing dance in a no-frills package.
A somewhat mysterious, weird evening. Dark yet humorous. And, while it has death at its core, perhaps, in its own way, even more a show about life.
A great year for Scottish Ballet who were voted Outstanding Company, also picking up two awards for Jess & Morgs’ Coppélia
It is entertaining and undoubtedly Peaky. It will send most Peaky fans away very happy, even if it doesn’t teach us much that we didn’t already know.
Full of familiar moments and familiar characters in familiar settings, and sometimes surprisingly deeply thoughtful
“A standout in its very distinctive strangeness… a delicious mix of outrageous comedy with some very neat choreography snuck in between”
The Royal Ballet tops the list with a total of 17 nominations, followed by English National Ballet and New Adventures (7 apiece)
Following on from the hit TV programme, Rambert are to create a new dance theatre work, Peaky Blinders: The Redemption of Thomas Shelby.
A disjointed journey through recollections of a life. As Eve, the outstanding Karlina Grace-Paṣeda wanders ghost-like through them
Two very different pieces and an exceptionally good evening’s viewing. Well done, Benoit Swan Pouffer
Würtz is the first contemporary dancer to win Best Female Dancer. Elsewhere, Cathy Marston’s The Cellist picked up three prizes