Rentaro Nakaaki on choreographing for English National Ballet’s Emerging Dancer
It will be another step on his choreographic journey as he creates the contemporary work for 2024 finalists, Anna Ciriano and Shunhei Fuchiyama
It will be another step on his choreographic journey as he creates the contemporary work for 2024 finalists, Anna Ciriano and Shunhei Fuchiyama
In the latest of our occasional series, Melissa Hamilton opens her dance locker, revealing a special moments and ballets from her career to date.
If Maguy Marin has a signature work, May B. is surely it. Ahead of its coming to London, the choreographer Marin tells David Mead about the piece.
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
A conversation with artistic director Marlon D. Simms about the company, and what Let’s Dance International Frontiers audiences can expect
Despite knee-pads and sore muscles – the dancers said that Skeels’ style is hard on a ballet trained body – the studio at times reverberated with laughter.
Maggie Foyer talks to James Pett and Travis Clausen-Knight, whose IMAGO receives its UK premiere on April 26 and 27.
A show that will, in his own words, have the “colour, feel and vibrancy of Havana with the tradition and beauty of The Nutcracker.”
The 2024-25 season also includes a new work by William Forysythe as part of a Forsythe evening, and both the company’s Giselles.
Goddard describes Frankenstein as an episodic work, “A series of romantic era tableaux, inside of which I can kind of operate as The Monster.”
For the second in our occasional series, the Birmingham Royal Ballet principal dancer chooses his seven works that have particular significance, saying a few words about each. Born in Yilan in the north-east of Taiwan, Tzu-chao Chou (周子超) was very active as a child. When he was nine, his parents thought that dance lessons would … Read more