Jess & Morgs’ DEEPFAKE
A work concerned with the instability of images repeatedly brings our attention back to something stubbornly physical: the body in front of us.
A work concerned with the instability of images repeatedly brings our attention back to something stubbornly physical: the body in front of us.
The Royal Ballet tops the short-list with 14 nominations. English National Ballet and Rambert have seven, and Birmingham Royal Ballet five.
A wonderfully varied evening…quite outstanding dancing, rounded off with the fireworks of Uwe Scholz’s The Seventh Symphony
A conversation with choreographer Morgann Runacre-Temple and BRB principal dancer Tzu-Chao Chou
Jess and Morgs’ Coppélia takes a big step away from the usual versions. It’s certainly different and it’s certainly relevant
Christopher Hampson talks about Scottish Ballet’s new Coppélia by Jess and Morgs that premieres at the Edinburgh International Festival