Heinz-Bosl-Stiftung Spring Matinée in Munich
Twice annually, the matinées are very popular. They present the Bayerisches Junior Ballet and Ballett-Akademie der Hochschule für Musik und Theater
Twice annually, the matinées are very popular. They present the Bayerisches Junior Ballet and Ballett-Akademie der Hochschule für Musik und Theater
A rollercoaster of sheer fun, erotic display and a quiet moment of reflection in a programme of seven pieces by seven choreographers all to classical music.
As the always much-anticipated annual Ballet Icons Gala reaches a milestone, David Mead talks to founder-director Olga Balakleets.
In Marco Goecke’s Le Chant du Rossignol, the dancers, all terrifically sharp, precise, appear from and disappear back into a deep, abyss-like upstage blackness.
“Having pulled you in, it holds you all the way to the final moment… An unusual Sacre for sure. But also one with a rare beauty.”
The festivities culminated on June 11 with Devil’s Kitchen, a world premiere by Marco Goecke and Oscar Schlemmer’s iconic Das Triadische Ballett
Marco Goecke’s Blushing is a perfect vehicle for the energy and commitment that the company has in spades.
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
The varied programme of mostly excerpts from longer pieces delighted the enthusiastic audience on a summery Sunday evening
A fine showcase of young talent including Heinz Bosl Prize winner Serhii Zharikov with Kaela Tapper in Uwe Scholz’s sublime Sonata
“The worst thing is regret. And it’s an opportunity I can’t ignore. I don’t want to be wondering, ‘What if?’”