An evening of many colours: Badisches Staatsballett’s International Benefit Gala
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
The varied programme of mostly excerpts from longer pieces delighted the enthusiastic audience on a summery Sunday evening
A fine showcase of young talent including Heinz Bosl Prize winner Serhii Zharikov with Kaela Tapper in Uwe Scholz’s sublime Sonata
“The worst thing is regret. And it’s an opportunity I can’t ignore. I don’t want to be wondering, ‘What if?’”
An homage to the familiar ballet. But while each of the four works was inspired by the classic, each is decidedly contemporary and different.
A largely enjoyable affair, Ivan Putrov must be congratulated for pulling everything together. Here’s to another ten years.
Whether the expressionism of Marco Goecke, modern classicism of Hans van Manen, or quirkiness of John Inger, they make dance come truly alive
No flocks of white swans and definitely no tutus as Hofesh Shechter, Cayetano Soto and Marco Goecke look at the classic in their own unique style
An evening of top quality performances and choreography across an exciting range of styles, a feast after the famine
Jiří Kylián’s 27’52” and Marco Goecke’s new The Big Crying