Clara, a new ballet by Cathy Marston for Ballett Zürich
Based on the life of the legendary pianist Clara Schumann, Marston again takes up the theme of the female musician.
Based on the life of the legendary pianist Clara Schumann, Marston again takes up the theme of the female musician.
As he guests in Cape Town, Maggie Foyer speaks to Brandon Lawrence as he weighs up the pros and cons of making career defining choices
Ahead of the premieres of his new works for Ballett Zürich and The Royal Ballet, Maggie Foyer looks at the work of the South African choreographer.
A mesmerising piece from the dark realm of dreams inhabited by genderless creatures and a drag-queen in black sequins and a towering tiara
In each ballet, the dancers literal cross from one side of the stage to the other, but their pathways also cross and open new beginnings.
“The worst thing is regret. And it’s an opportunity I can’t ignore. I don’t want to be wondering, ‘What if?’”
A fine evening with plenty of variety; and one not dominated by nineteenth-century fireworks.
Marston says, she hopes to “develop and nurture a creative group of individuals, where each single dancer stands out on stage.”
A journey through heartbreaking emotions. As the Cellist, Guilia Tonelli embodied the indescribable pain of losing everything.
On the Move is not only the title of Ballett Zürich’s latest triple bill… but also a description of the momentary state of affairs at the company.
Complex and a real puzzle, for a while, Spuck’s ballet is very disorienting although it does become increasingly clear as the familiar starts to emerge