Classicism all the way in Northern Ballet’s Generations
The undoubted highlight… is Tiler Peck’s Intimate Pages. It’s full of invention and packed with steps. The dance eats up every inch of the stage.
The undoubted highlight… is Tiler Peck’s Intimate Pages. It’s full of invention and packed with steps. The dance eats up every inch of the stage.
Her new piece will form one third of Generations: Three Short Ballets, a trio of works created by choreographers from across the generations
On the Move is not only the title of Ballett Zürich’s latest triple bill… but also a description of the momentary state of affairs at the company.
A largely enjoyable affair, Ivan Putrov must be congratulated for pulling everything together. Here’s to another ten years.
A long evening with some of the best dance on the planet and memorable performances
Boosted by visitors from Vienna State Ballet and Stuttgart Ballet, an evening of dance and music of amazing quality and variety
In Grosse Fuge, the boldness of the performers, an equal gender balance in numbers and spirit, aligns perfectly with the power of Beethoven’s score
Whether the expressionism of Marco Goecke, modern classicism of Hans van Manen, or quirkiness of John Inger, they make dance come truly alive
Ivan Putrov assembled some of his country’s finest dancers alongside others in an ambitious and largely enjoyable evening
Hans van Manen’s Grosse Fuge proves convincingly that Beethoven’s music is perfectly suitable for dance
Van Manen’s Adagio Hammerklavier and Grosse Fuge; Bigonzetti’s new Einssein