Finding hope in dark places: Chloe Kastner’s Bring Me to Light
A dance of hope and optimism, that ultimately finds hope and beauty even in the darkest of places
A dance of hope and optimism, that ultimately finds hope and beauty even in the darkest of places
A conversation with Jasmin Vardimon about her new production, ALiCE, and a look at her company’s fabulous new creative hub in Ashford, Kent.
Curtain Up! packs a lot into its 40 pages… a super insight for young people (and possibly their grown-ups) into the world of ballet and opera.
The music is gorgeous, the set is fabulous, there’s romance and real, fully-fleshed out characters everywhere you look
Christopher Hampson talks about Scottish Ballet’s new Coppélia by Jess and Morgs that premieres at the Edinburgh International Festival
A fine programme that reflected well the dancers’ classical training, and the School and Stuttgart Ballet heritage
It was a super afternoon, but you really do have to pinch yourself to remind yourself that they are all still in their late-teens
Many of the seven pieces were deeply thoughtful and somewhat dark in tone; a reflection of the times and recent experiences, no doubt
The company look in fine fettle. It was an evening that ran from emotionally intense and thoughtful to fizzling like the best English sparkling wine
The dramaturgy is excellent. If the success of a ballet is judged by how easy it is to follow without reading the synopsis, it is a winner.
Classical ballet dominates even more than usual, although this is likely a consequence of the unique circumstances of the year.