Stuttgart Ballet: Creations XIII-XV
The highlight of the evening was Vittoria Girelli’s Sospesi, an effective visualisation of ideas and coming together of music and movement
The highlight of the evening was Vittoria Girelli’s Sospesi, an effective visualisation of ideas and coming together of music and movement
An exciting evening for the English National Ballet School… back on track as a quality professional ballet school after a couple of difficult years.
A wonderfully varied evening…quite outstanding dancing, rounded off with the fireworks of Uwe Scholz’s The Seventh Symphony
A conversation with choreographer Morgann Runacre-Temple and BRB principal dancer Tzu-Chao Chou
I felt I was in one space having two separate experiences: one ‘drama’ with a very limited script, and one dance
Jess and Morgs’ Coppélia takes a big step away from the usual versions. It’s certainly different and it’s certainly relevant
Christopher Hampson talks about Scottish Ballet’s new Coppélia by Jess and Morgs that premieres at the Edinburgh International Festival
The company look in fine fettle. It was an evening that ran from emotionally intense and thoughtful to fizzling like the best English sparkling wine
A conversation with New English Ballet Theatre founder and artistic director Karen Pilkington-Miksa about the company’s summer 2022 season.
Includes the UK premiere of Uwe Scholz’s best creations, his dramatic setting of Beethoven’s vibrant Seventh Symphony alongside world premieres and revivals
A very diverse and challenging programme including Frederick Ashton’s Les Rendezvous