Yondering into the future: The Royal Ballet School Summer Performance 2022
It was a super afternoon, but you really do have to pinch yourself to remind yourself that they are all still in their late-teens
It was a super afternoon, but you really do have to pinch yourself to remind yourself that they are all still in their late-teens
Many of the seven pieces were deeply thoughtful and somewhat dark in tone; a reflection of the times and recent experiences, no doubt
The company look in fine fettle. It was an evening that ran from emotionally intense and thoughtful to fizzling like the best English sparkling wine
The dramaturgy is excellent. If the success of a ballet is judged by how easy it is to follow without reading the synopsis, it is a winner.
Classical ballet dominates even more than usual, although this is likely a consequence of the unique circumstances of the year.
“Trying to expand the range of work, having a whole range of experiences that pushes the art form forward, I think is crucial to us going forward.”
A varied triple bill of works by Yin Yue, Barkha Patel and eddy kwon that all combine the contemporary with the traditional
It really does feel like the performers and rice are engaged in a duet… Our Labyrinth creates a sense of peace. It is a very absorbing experience.
While most sections capture the attention, the way the work wanders around with little obvious link between them, makes life difficult for the viewer
Features the intensity of Shechter’s signature ensemble work to an eclectic score that runs from his own throbbing creations to J.S Bach and Frank Sinatra
Drama and humour, a clear narrative, great characterisations, excellent corps de ballet scenes, and in Annalise Wainwright-Jones, a wonderful Anne