David Mead 
“Trying to expand the range of work, having a whole range of experiences that pushes the art form forward, I think is crucial to us going forward.”
A varied triple bill of works by Yin Yue, Barkha Patel and eddy kwon that all combine the contemporary with the traditional
It really does feel like the performers and rice are engaged in a duet… Our Labyrinth creates a sense of peace. It is a very absorbing experience.
While most sections capture the attention, the way the work wanders around with little obvious link between them, makes life difficult for the viewer
Features the intensity of Shechter’s signature ensemble work to an eclectic score that runs from his own throbbing creations to J.S Bach and Frank Sinatra
Drama and humour, a clear narrative, great characterisations, excellent corps de ballet scenes, and in Annalise Wainwright-Jones, a wonderful Anne
A conversation with New English Ballet Theatre founder and artistic director Karen Pilkington-Miksa about the company’s summer 2022 season.
A sometimes gritty and thought-provoking evening, but also one that ends colourfully and joyously
It really does look a picture. Jérôme Kaplan’s set designs are simple yet evoke brilliantly. The music too, is an absolute delight…
The choreography may often be busy and fast-paced, but the dancers rise to it with energy levels that need to be seen to be believed.
David Mead is at the National Showcase – an evening of impressive dancing all round – and talks to co-creators Julie Bowers and Brandon Lawrence.