The Margot Fonteyn International Ballet Competition
The standard of dancing was superb, the gold medal being taken by Antonia Maria Cramb, currently training at Royal Conservatoire of Scotland
The standard of dancing was superb, the gold medal being taken by Antonia Maria Cramb, currently training at Royal Conservatoire of Scotland
The third year’s classical work was Les Patineurs (1937), and then Pina Bausch’s Tannhăuser Bacchanal (1972), a fascinating piece of dance history
Most fun was Arthur Pita´s Death Defying Dances. Full of dark humour and fabulous music, it is an absolute delight.
It was no surprise when Ellyne Knol, presently finishing her studies at The Conservatoire in The Hague, took the top Gail Monahan Award
An exciting evening for the English National Ballet School… back on track as a quality professional ballet school after a couple of difficult years.
In Frederick Ashton’s Rhapsody, Rin Ishikawa’s speed, focus and attack were phenomenal.
David Mead is at the National Showcase – an evening of impressive dancing all round – and talks to co-creators Julie Bowers and Brandon Lawrence.
An evening of goodwill and youthful enthusiasm bringing together six of Britain’s top dance schools to show support for Ukraine
The four new works covered classical and contemporary dance while also allowing the dancers to show their presentation and comedy skills.
A very diverse and challenging programme including Frederick Ashton’s Les Rendezvous
A new choreography project and a return to live performance