Varna International Ballet: Giselle and Swan Lake
The staging may be a little thin, but Varna International Ballet have some fine dancers, including Briton Claire Gillard who took the lead in both shows
The staging may be a little thin, but Varna International Ballet have some fine dancers, including Briton Claire Gillard who took the lead in both shows
A fine telling of the tale of love, betrayal and loss. An evening full of power and tenderness. Classical ballet at its classical best
The annual night out at Symphony Hall returned in style with a gala-like programme of orchestral and dance selections.
Emma Hawes’ Odette is the stuff from which dreams are spun: a wonderful combination of imposing lines and tender vulnerability.
A conversation with Debbie Norris, founder and artistic director of Ballet Folk, whose The Tears of Jenny Greenteeth is on in London on February 2
An homage to the familiar ballet. But while each of the four works was inspired by the classic, each is decidedly contemporary and different.
Their en travesti brand of ballet humour, poking affectionate, gentle fun at traditions and stereotypes, still makes for an amusing, enjoyable evening
A fine programme that reflected well the dancers’ classical training, and the School and Stuttgart Ballet heritage
It was a super afternoon, but you really do have to pinch yourself to remind yourself that they are all still in their late-teens
An evening of goodwill and youthful enthusiasm bringing together six of Britain’s top dance schools to show support for Ukraine
A naturally emotion-laden evening, with most of the dance laden with symbolism, as the ballet world came together to raise money for aid for Ukraine