Two debuts, two promotions and Cranko’s fine Swan Lake with Stuttgart Ballet
“Freely adapted from traditional versions.” Fine performances from Gabriel Figueredo and Mizuki Amemiya, both promoted at the end of the evening
“Freely adapted from traditional versions.” Fine performances from Gabriel Figueredo and Mizuki Amemiya, both promoted at the end of the evening
Top quality dancing… But perhaps best of all, everything was very classically rooted, with pointework very much to the fore for the women.
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
The varied programme of mostly excerpts from longer pieces delighted the enthusiastic audience on a summery Sunday evening
The highlight was Olivia Chang-Clarke’s new Melody in Three. While classical through and through, dotted throughout are quirky moments that make you smile
Sangeun Lee had emotion in spades, her sharp-edged Odile contrasting starkly with her soft, sad, Odette
A programme designed to show “What we are, who we are, and to give a taste of what we do.” A fine evening of high-quality dancing
If this Saturday matinée at a sold out Everyman Theatre in Cheltenham is anything to go by, BRB2 are well worth catching again
New and unfamiliar works rub shoulders with old favourites, with Sergio Bernal’s The Thinker the unexpected highlight of a super evening
Swan Lake is the ballerina’s ballet and Nuñez was perfection from her first grand jeté to her final death plunge.
What a wonderfully beguiling Odile Martina Prefetto offered. Here was a real temptress, casting her spell, snaring her prey